Mudcat Café message #2277223 The Mudcat Café TM
Thread #109111   Message #2277223
Posted By: Marje
02-Mar-08 - 06:44 AM
Thread Name: Folk terminology
Subject: RE: Folk terminology
If it really was helpful to sing with your hand cupped over your ear, you'd think it would have caught on more extensively beyond the folk genre. There may be isolated examples elsewhere, but I've can't say I've never seen a classical or jazz or pop singer do it.

In many informal venues, some of your audience may be on the far side of the protruding elbow. This means that although the singer gets satisfing feedback and enjoys the sound of their own voice more, for part of the audienc the hand and arm muffle the sound somewhat, and block the view of the singer's face. It always seems a bit self-indulgent to me, as if the important thing to that singer is that they can wallow in the sound they're making. To my mind, it makes more sense for singers to tune in to the acoustic of the room and get used to hearing their voice this way.

As for doing it in harmony singing - well, the whole point of harmony is to blend with the other voices, not block them out. If you don't listen to the other parts, you won't tune in properly to them, but come across as 2 or 3 soloists singing together (which, to my ear, is often how classsical/opera singsers sound in trios etc).

I agree though, Jim, that terms like Folk Fascist and Folk Police are ludicrous. Folk is by far the most unregulated and inclusive form of musical activity in our (UK) culture, which is both its greatest asset and its biggest drawback. Any other musical genre will be found to have far more in the way of rules, expectations, auditions, and agreed styles of performance.

Marje