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User Name Thread Name Subject Posted
Howard Jones Making folk club recordings available (96* d) RE: Making folk club recordings available 26 Apr 19

Actually, I am fairly supportive of PRS, although I have found them inflexible to deal with. I am in favour of creative artists getting paid for their work. If people like Steve wish to give their work away for free that is their privilege, but I assume they have other sources of income. By charging the venue rather than the performer it removes the obligation on me to agree terms with the composers of songs I perform, which would be both onerous and impractical. The system is far from perfect, but in the world of commercial music where the material being performed is all copyright it works reasonably well. And if the bulk of the payments go to those whose music is most widely played that it probably to be expected, but from time to time I get 50 or so, which is very welcome for playing my own compositions, so it is not just Paul McCartney who benefits.

Where the system does not work well is in our world, where much of the material performed is either traditional or by composers who are not PRS members. The licensing system is inflexible - you pay the same fee for playing one copyright song as you do for 100. There is a justified sense in the folk world that we pay too much in licence fees with too little coming back.

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