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User Name Thread Name Subject Posted
Howard Jones UK 60s Folk Club Boom? (1167* d) RE: UK 60s Folk Club Boom? 21 Mar 19

The brand name was taken over in the 60s, if not earlier. I could never understand why, for example, the Incredible String Band or Nick Drake were considered to be "folk", they certainly weren't to my taste, but the fact remains that they were regarded as folk, and that you could expect to hear that sort of stuff, and more, in folk clubs alongside traditional songs and those in a traditional mould. That hasn't changed.

You say that you stopped going to folk clubs when they stopped presenting folk songs, whereas the experience of me and others is that they are still presenting folk songs, even in the narrower sense of "folk" that you mean. I think the difference between us is that we are willing to accept that we might hear other songs as well, and that some of it might bear little or no resemblance to traditional song other than a certain similarity in the way it is performed. We are willing to acknowledge that in most cases these fall within the scope of what the folk clubs have always regarded as appropriate music. We don't see any evidence that including this music, which has always been part of the folk club scene, is damaging traditional singing.

Sometimes someone may overstep the mark and sings something inappropriate, that's only to be expected especially where there can be no clear consensus on where the mark lies.

I sorry that you seem to have persuaded yourself that the folk clubs are now free-for-alls. I admit that some clubs are like that, but I find that in most clubs I will hear folk music, however you want to define it.

I have other reasons for not attending clubs so often these days, the standard of performance being one of them, but when I want to hear traditional songs I can usually be confident that I can find them.

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